Suicide Estate Antibiotic Armageddon

by JK FLESH

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Steelflange 72
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Steelflange 72 Justin K. Broadrick's diversity of the music genres is incredible, from Godflesh, to Final, to Pale Sketcher. All of his music is original, and groundbreaking. He's truly a pioneer in the music industry with his abilities, talent, and individuality. I'll definitely look forward to hearing what will come next. 🙂👍🤙
Sllennehc Nosam
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Sllennehc Nosam Nails you in the gut like a hydrogen bomb of aural nihilism. Wicked stuff. Favorite track: BAYLEY TOWER (REMIX).
pC
pC thumbnail
pC Dark disco with an eerie, exciting tone. A mixture of grimy ambience, sterile notes, and plush-padded beats, all accented with whatever else is lingering under the blinking fluorescent bulb. Definitely gives you something to knock around the room while this echoes in your headroom, something to push through fear, forward towards the explicitly unknown. Favorite track: BAYLEY TOWER (NEW MIX).
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    Inc. new cover and images from the original tape releases.
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about

Originally released by Hospital Productions 2016 in 2 x cassette editions (HOS-458) :
SUICIDE ESTATE. EP. C30. Edition of 44 copies. 4 tracks.
Second edition of 66 copies, including bonus cassette - ANTIBIOTIC ARMAGEDDON. 4 tracks.
Cassettes with individual j-cards and cases housed in a painted envelope.
Sold with pre-orders of Skin Crime 20xCD box set (HOS-400).

This digital reissue on AVALANCHE RECS. includes a bonus remix of Track 01 'BAYLEY TOWER' and a new mix of the same track. There is also a new mix of 'SQUALENE'. Most other tracks are remastered.
Apart from 'BAYLEY TOWER (Remix)' this release explores a slightly different aesthetic to the current JK FLESH sound; a cleaner, minimal and introspective mood.

credits

released February 20, 2017

AREC038 // AVALANCHE RECORDINGS 2017.
PRODUCED BY JUSTIN K BROADRICK. 2016.
PUBLISHED BY MUTE SONG LTD.

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about

JK FLESH UK

JK FLESH is the pseudonym employed by Justin K Broadrick for his solo work within the realm of heavy/brutal electronica/techno - informed by industrial, dub, power electronics and the extreme excesses of electronic music driven by beats and bass.
Justin initially used this pseudonym in Techno-Animal with co-conspirator Kevin Martin (The Bug / King Midas Sound, etc).
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